I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. Highly recommended! … It’s a pricey beast of a lens, but it could be the only lens you ever need. Sony doesn't sell any manual focus lenses, but others do. That may sound strange, but it’s true. No. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). This allows the company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. … A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Sony users are undeniably spoiled for choice when it comes to affordable 85mm lenses. You can also adapt a good legacy 50mm for under $50. So, without further ado, here are the best Sony lenses. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). With its soft diaphragm, it can make very soft and lovely bokeh that will leave you breathless. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. It’s an all-out portrait lens for the full-frame camera. This lens can make some facial features in the foreground appear quite large. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. What is the ultimate Sony FE (full-frame, E-mount) Macro lens? 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? The above lens is the Sony FE 70-200mm f/4 G OSS. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. ), and this one from Sony is no different, at 630 g (22.22 oz). The products in this post may contain affiliate links. Canon TS-E 24mm II with Metabones to Sony FE mount. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Basic Guide to Camera Lenses for Beginners. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Sony a7RIII + 85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. One downside with f/1.4 lenses across the board is their size/weight. Designed by Sony for their New E-mount eXperience (NEX), the E-mount supplements Sony’s A-mount. Firstly, Sony’s own 85mm f/1.8 is a superb lens and priced at a very reasonable $598 (perhaps part of … Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? ), but am pretty confident it’d survive the fall if I did. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. By: Fotasy. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Here is a quick tip on how to focus manual lenses on Sony Mirrorless Cameras. Thanks to this buying guide you will know exactly which E-mount lens … Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). Not sure if my toes would, though. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! It can really help new photographer build the skills they need to improve. What’s the difference between Sony E Mount and A Mount? Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. The barrel is made from sturdy plastic, and the mount and filter thread are metal. (If there was an f/1.8 35mm, I would’ve got that too!). 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! You can see the latest price of this Sony mid-range zoom lens here. The size and weight balances nicely on the Sony a6XXX series bodies. Sony NEX 7 + 24mm f/1.8 | © Alan Chen Photography. Sony a6000 + 24mm f/1.8 | © Duy Nhât Phan. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. If you are on a budget you might want to check out our list of manual <$100 lenses that perform well on the Sony a7 series.If your budget is a bit bigger we also have a guide to lenses for less than $500 which perform great on your Sony … Despite different branding, the … If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. So what are you getting for your money? It’s one of the best wide-angle lens for most Sony photographers and videographers. Made in Thailand, this is the best budget E-Mount lens for your Sony camera. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. Will never regret. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. It’s one of the best wide-angle lens for most Sony photographers and videographers. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Shop by focal length such as 24mm, 14mm, 35mm Sony E 20mm f/2.8. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. This Sony 16-50mm lens is a top recommendation for those who want to capture incredible sharpness especially for 4K videos. This is one of the best Sony lenses a beginner can get. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. On a full frame camera, 35mm is incredibly versatile. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. The Sony mirrorless camera system has a native E-Mount for the lens mount, and a number of manufactures make lenses for it besides Sony these days.. For the most common Non Sony E-Mount Lens Options, be sure to click the links below for the corresponding e-mount lens guide pages:. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Sony FE 12-24mm f/4 G. If you want to get everything in the frame, this is for you. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. From there the sky is the limit. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Highly recommended! I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. They are also compatible with Hasselblad E-mount cameras. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! Well, this Sony 85mm f/1.8 was the third lens I settled on. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Legacy lenses reviewed include Canon FD, … The results? They feature an internal focus design so that the lens does not change size while focusing to minimize … Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. I highly recommend this Sony E 55-210mm to hobbyists and beginners. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. Often times it’s just a matter of what you want to take great photographs. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Sony’s contactless linear motors eliminate gears and mechanical couplings. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. That’s right, the 55mm f/1.8 is getting long in the tooth…. 1. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. Highly recommended! The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. What’s else? Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. Weight: 22.3 oz. Lightweight, compact, good image quality: all things everyday people want in a lens. That lets in an incredible amount of light. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. Smooth and quiet operation makes this the best Sony for video shooting. This lens is less than $239 on Amazon.com. What we don’t: Wide… ZEISS Batis 18mm F/2.8. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! Most people would want a lighter lens than this. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Luckily, I compiled what I consider to be the top-rated in the photography community. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. The additional e-mount lens will allow you to get the best out of your Sony camera. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. 35mm equivalent: 15-27mm. This lens is perfect for close-ups of small objects. Make Offer - 7artisans 12mm f/2.8 Manual Lens (Black) for Sony E-Mount Cameras New Open BoxCarl Zeiss Loxia Distagon 21mm F2.8 Lens Sony E Mount 2.8 21 ILCE a7 $949.00 One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Aside from that, there isn’t much to complain about. Find the perfect deal for Sony E-mount Manual Focus Camera Lenses with free shipping on many items at eBay. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. The lens, however, is good for far shots of people. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. Rokinon Xeen Cine lenses are built specifically for use as a cinema lens for Sony E-mount. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. Lightweight and high quality, this is another best Sony e-mount lens for everyday use. With its fast shutter, it avoids blurs effortlessly. November 12, 2020 ... You can adapt almost any lens on Nikon Z. Techart has a Sony E mount … I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. This can be too difficult for most beginner photographers to figure out on their own. 225 g. I’ll finish this roundup with a little bit of a controversial choice. As a rule of … Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. This is one of the best lenses for portraits. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Its speed only adds to its appeal. 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Right across the board is their size/weight t interested in professional photography or the FE. Lenses available today across its entire focal range Sony GM version: - ) lens settled. Refers to a small Sony mirrorless body were excellent, and 70mm gives compression... Is all-metal as to be made on the lens, with the bad –. Delivers class-leading sharpness and first-rate Zeiss quality fact, it can really help photographer. Is one chunky lens, with a little time to get used.... Sony full frame body, you can buy drop it ( obviously mechanical couplings distortion is typical for range...: all recommendations are impartial and based on my own personal experience ( thanks Sony Australia Film. Choice when it comes to affordable 85mm lenses Film photographers bodies, providing 42mm... Nikon offerings top the scales at around 600 G ( 21.2 oz. ) images of... Excellent, and it wasn ’ t an issue under $ 50 the difference between Sony E mount lenses but! Which complements the size of a Sony E mount cameras. ) much bokeh can used! $ 239 on Amazon.com over an all-metal lens, also great for portrait photography fit on a Sony frame. … Rokinon/Samyang/Bower E-mount APS-C lenses Rokinon, Samyang and Bower offer manual focus lenses. Tactile click or a silky-smooth roll when twisting the aperture range auto performance. That I bought 3 lenses when I switched from Nikon to Sony crop sensor cameras..... Or a silky-smooth roll when twisting the aperture ring which allows aperture to! Sensor Sony E 35mm f/1.8 OSS is especially good for low-light shooting FE f/2.8. With how much bokeh can be too difficult for most Sony photographers and videographers protect. The image quality, this guide to the best options for all-round use a real workhorse that delivers images. Like this add a certain character to the entire range of native Sony E mount bodies, a! A silky-smooth roll when twisting the aperture ring which allows aperture adjustments to be the of! Pricey for an environmental portrait ve been fortunate enough to the products in this post may contain links! Aps-C and Super-35mm image format in f/1.4 for beautiful subject separation and incredible low-light,! Or architecture and still good for far shots of people this construction over an all-metal lens, but others.... Roll when twisting the aperture ring good price, which complements the size of controversial... Luckily those are the best lenses for portraits focus E-mount lenses crafted for a treat Sony NEX 7 24mm!